Wednesday, November 24, 2010

22 North serves up 'seasonal'

It’s a bit heartbreaking to eat at 22 North, as once you’ve fallen in love with a dish — which will happen — there’s the chance it never will be served again.

But that’s what’s existential and delectable about the carpe-diem style and innovation found at the restaurant named for the latitude of our local-fruit, -fish and -meat-producing island.

As elusive as the idea is of using only the food that’s local and in season and then moving on, it’s with this simple-but-ingenious thought in mind that food veteran Todd Oldham and partners stumbled upon a business model that is both environmentally responsible and delicious.

Take, for example, a dish from this past week’s menu: The grilled A‘akukui Ranch beef with rosemary-roasted potatoes, pickled beets and onions and salsa verde. It only lasts on the menu as long as the cuts are in house. Once the cuts of meat are pau, the menu changes.

“What (Chef de Cuisine Aaron Leikam) does is looks at what we’ve got on property and what’s ready to be harvested, and looks at what we’ve got from other local farmers on Kaua‘i,” Oldham said. “So we’ve only got two tenderloins per cow, two ribeyes per cow. Then we’ll get a tertiary cut, and can do something like shank.”

It’s the use of what is in season and in-house that takes some understanding on the part of the guest, especially as many are ingrained with an instant-gratification mentality and have become accustomed to a “feel-like-it-and-order-it” frame of mind.

“We are seasonal to the moment,” Oldham said. “We’re not getting cases of filet on hand. We don’t make a phone call and get pork racks. So there are times that a guest might have been here and got a great tenderloin and want it and we may not have it.”

The upshot to all this? The food is incredible, no matter what is in season. All it takes is some trust in the menu, servers and culinary staff.

As far as Oldham is concerned, the restaurant is doing something above and beyond creating amazing “locovore” cuisine.

“For us it’s as much about serving great food and having great service as it is keeping the money on-island and supporting local agriculture.”

And smack dab in the middle of agriculture it is.

Housed in the former Gaylord’s restaurant at Kilohana, 22 North has found a well-suited place to call home. It sits on some 70 acres of agricultural land that runs rampant with orchards bearing at least 20 different species of tree fruit, 25 acres of pasture and smaller plots of papaya and pineapple farms, as well as fields of vegetables.

“We always wanted to capitalize on the fact that we’ve got a farm on property, and it hit us like, ‘hey, we’ve got this secret weapon that’s not a secret,’” Oldham said of brainstorming with Russ Talvi, the company’s president. The two hammered out their agreement in Koke‘e over a recent weekend, and literally shook hands on the trail hiking, Oldham said.

As for the name?

“It lets people know where they are, like (the area code) 808 does,” Oldham said. “People are proud of Kaua‘i and Hawai‘i. And this fit in with that idea.”

No stranger to high-end cuisine, Oldham has quite the resume, as do members of his staff.

After getting his start when he was about 16 at a country club in Pennsylvania, he got his first executive chef job when he was about 27 on the East Coast and from there went on to open an upscale, Mediterranean restaurant before moving to Kaua‘i in early 1999.

Of course locals likely recognize him from his work as executive chef at Waimea Brewing Company and his work as a sous chef, then executive chef, at the Princeville Hotel (now the St. Regis Princeville Resort).

Following that, Oldham worked as the food and beverage director at the Sheraton Kaua‘i Resort at Po‘ipu, and in 2008 opened the Westin in Princeville. Chef de Cuisine Leikam was no stranger to the world of local, sustainable and high-end food, having worked as chef at Hukilau Lanai and Gaylord’s before the change to 22 North.

The decision to be part of changing Gaylord’s was a tough one, but one that made sense, Oldham said.

“Gaylord’s had a really great run,” Oldham said. “If you look at the life cycle of a restaurant, it goes through a period of excitement and newness. Then there’s this plateau where things hum along, and then as tastes change and new concepts are introduced elsewhere it starts to fall off the radar. You reach this tipping point where you cease to gain new fans.”

And that was the issue for Gaylord’s, Oldham said, noting the devoted clientele was wonderful, but as people became more food educated, they were looking for something new.

“More ‘foodie-type’ cuisine,” he said. “Gaylord’s had the standbys: prime rib, the ‘90s-style Pacific Rim stuff. But people wanted something that had a little more of an edge to it.”

An edge was found, indeed.

The menu is rife with anything-but-standard options. Mouth-watering highlights last week included the cedar-planked sailfish paired with cucumber, radish, Kilohana citrus and honey-harissa glaze, alongside a “soft” polenta that was creamy and buttery enough to savor each bite slowly (not to avoid mentioning: The smokiness of the cedar gave the fish a spiced, buttery richness that begged not to be shared with anyone else.

Other highlights were the olive poppers, a could-be humdrum pupu that didn’t boast an olive-y taste but instead a salty and mild warmth from the Kaua‘i Kunana Farms goat cheese stuffed inside and the house-smoked, bacon-tomato vinaigrette (yes, they literally make and smoke the bacon in-house), and the olive-oil-poached ‘ahi with avocado, Kilohana citrus, local purple beans, ulu and arugula.

For those hoping to try something that’s guaranteed to be on the menu, there are few items that are likely to be found, however, one such item is the house-made arugula pasta with braised Wailua lamb shoulder, local greens, caramelized sweet onions and crisp, fried okra.

And take this advice: Leave room for dessert. The fruit pie (served ala mode) is scrumptious. Brought to the scene by Pastry Chef Kristin Leikam, it’s more like a strudel or delectable, mildly sweet popover than it is any kind of generic “pie.”

It’s obvious the entire staff has gotten behind the 22 North project, taking pride in their work and touting the ideology behind it — many helped paint, tile and overhaul the Gaylord’s digs and turn it into what is now a renovated 22 North.

“They’ve got this physical and emotional investment in it,” Oldham said. “They’re really a great bunch. I am really grateful to Russ (Talvi) and the entire staff for believing in us.”

http://thegardenisland.com/entertainment/night-life/article_daceece4-be21-11df-93d3-001cc4c03286.html

Sunday, May 23, 2010

Haunani: Hardly humdrum


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Amanda C. Gregg/Contributed photoHaunani Kaui and Lei Contrades are seen here performing for guests recently.

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Wanna go?

If you would like more information about Haunani’s schedule or would like to book a gig, call 652-9050, e-mail her athumbug@hawaiiantel.net or visit her on the Web: www.haunanikaui.com.

An escape from the daily grind, Haunani Kaui, Hawaiian entertainer, guitarist and singer of local music and hula mele alike, offers soothing memories alluding to those of a backyard lu‘au.

A 40-year veteran of music, Kaui got her start with her family, owners of the well-known Smith’s Motor Boat Service in Wailua, playing with her grandpa and grandma. After that, it was high school and then playing for American Hawai‘i cruises in 1980.

“I was on the Constitution and the Independence,” Kaui said, recalling the names of the cruise ships that have since retired. Following that, Kaui played for the Celebrity Cruise line for five years before coming home to take care of grandma in 1998.

“She asked me, ‘When are you going to come back home and take care of me?’” Kaui said.

Following her grandmother’s passing in 2008, Kaui has been able to accomplish something many aspiring musicians dream of: Becoming a career artist.

“This is now my main job,” Kaui said, noting she’s recently upped her shows to four days a week, including a recently successful bid to play Saturday nights at Lihu‘e Airport — a highly competitive venue.

“Seventy-eight musicians went for it,” Kaui said, noting there are a mere seven nights per month on which to bid.

One of the reasons Kaui looks forward to “playing the airport,” she said, is spotting the tourists who have seen her play around the island.

“It’s like the icing on the cake,” Kaui said, noting she enjoys recognizing visitors and remembering from where they’re visiting.

No doubt the tourists remember her, too, for her sing-a-longs and penchant for covering the staples oft’ listened to by Hawaiian-music lovers, such as “Ulupalakua,” “Hene hene ko aka, and the “Hawaiian Wedding Song.”

But Kaui is hardly just for the tourists — ask her enough and she will admit humbly that she has a local following, fans for which she keeps “early-gig hours,” from 6 p.m. to 8 p.m.

“I take the earlier set because by the later set, everyone who comes would be home asleep already,” she said. Truly devout fans make it all the way from Anahola, Princeville and Kalaheo, she added.

Regulars who came to see Kaui May 13 had an added bonus, as her show was followed by belly dancers.

Of the belly dancers, Kaui said it’s more often than not that she’s paired up with talent.

Fans come back not only for their fix of traditional Hawaiian tunes, but also her sets made up of various duos, including “Auntie Elaine,” hula talents Irene Yoshida and songwriter Lei Contrades.

Of course, her ongoing repartee with the audience doesn’t hurt either.

Her signature song, Kaui added, is the “Hawaiian War Chant,” (Kaua i Ka Huahua ‘i). “I get the audience to participate, and then they sing along and I pick my guitar at the end,” she said.

And the band played on

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Amanda C. Gregg/Contributed photoSarah Tochiki conducts the Wind Symphony at the Kaua‘i Community College spring concert.

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Despite losing their leader, Larry McIntosh, the bands played on as the Kaua‘i Community College Instrumental Wind Symphony and Jazz Ensemble put on part one of their spring concert May 7.

Part two of the concert series, featuring the orchestra, was May 14.

McIntosh, founder of the KCC instrumental-music program in 1985 and the only community ensembles for Kaua‘i musicians, died of cancer April 15.

This year’s concert series was dedicated to his memory and helped serve to honor that memory with the futures of others in mind: donations from the event help fund the Larry L. McIntosh Scholarship Association. The nonprofit was created to pay for graduating high-school seniors on Kaua‘i to further their interest and study of music.

Playing with the excitement of a big band, the Jazz Ensemble played high-energy throwbacks to swing, channeling the verve of Glen Miller or the likes of Count Basie.

Soloists took the stage in each piece, receiving laudable applause from the audience for their talents. Had there been a dance floor, people would have been dancing.

Similarly, the Wind Symphony brought a high level of execution and passion to their classical and jazz pieces, including an encore of what Director Karen Kirchner described as a “Salute to Bob Hope,” five pieces woven together into a medley McIntosh had chosen back in January.

The “salute” included the signature song “Thanks for the Memories,” as well as “The Road to Morocco,” “Moonlight Becomes You,” “Buttons and Bows,” and “Two Sleepy People,” arranged by Warren Barker.

Taking of the helm of the Jazz Ensemble was Barry Toy, trumpeter; the Wind Symphony was led by Kirchner and Director Sarah Tochiki.

Referring to what it was like to be among those to step into the director’s spotlight, Tochiki said it was “a little intimidating but an honor,” adding, “no one will be able to replace McIntosh.”

Though the event could have been somber in tone, it was joyous in spirit. And while obviously a director has much to do with how the ensemble performs, it seemed the encouragement of the former leader was in the ambient air.

Kirchner said that McIntosh was always encouraging and “could pull a little more out of you.”

Kirchner also said the concert was somewhat emotional, as “we were conducting the pieces (McIntosh) had chosen.”

That said, percussionist Scott Hartman said that the Jazz Ensemble “played extra well” on this evening, in which they played the pieces they had been rehearsing with McIntosh.

Each ensemble was far more polished than the practice time that getting together once a week for credit at KCC would seem to allow. But as Hartman explained, the performers “do their homework,” practicing on their own and practicing together where the director adds nuances, “play(ing) the band like an instrument.”

Looking ahead, Tochiki said it is key for the community to continue to support music by attending high-school and middle-school performances, adding that it is her hope that these students will someday be in the KCC ensembles. Some already are, she added, as part of the Running Start program for which they earn college credit.

For others who just want to continue playing and can read music and are willing to work hard, the course is $25, once a week in the evening at KCC, she said.

See www.kccmusic.org for more information.

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