Sunday, May 23, 2010

Haunani: Hardly humdrum


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Amanda C. Gregg/Contributed photoHaunani Kaui and Lei Contrades are seen here performing for guests recently.

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Wanna go?

If you would like more information about Haunani’s schedule or would like to book a gig, call 652-9050, e-mail her athumbug@hawaiiantel.net or visit her on the Web: www.haunanikaui.com.

An escape from the daily grind, Haunani Kaui, Hawaiian entertainer, guitarist and singer of local music and hula mele alike, offers soothing memories alluding to those of a backyard lu‘au.

A 40-year veteran of music, Kaui got her start with her family, owners of the well-known Smith’s Motor Boat Service in Wailua, playing with her grandpa and grandma. After that, it was high school and then playing for American Hawai‘i cruises in 1980.

“I was on the Constitution and the Independence,” Kaui said, recalling the names of the cruise ships that have since retired. Following that, Kaui played for the Celebrity Cruise line for five years before coming home to take care of grandma in 1998.

“She asked me, ‘When are you going to come back home and take care of me?’” Kaui said.

Following her grandmother’s passing in 2008, Kaui has been able to accomplish something many aspiring musicians dream of: Becoming a career artist.

“This is now my main job,” Kaui said, noting she’s recently upped her shows to four days a week, including a recently successful bid to play Saturday nights at Lihu‘e Airport — a highly competitive venue.

“Seventy-eight musicians went for it,” Kaui said, noting there are a mere seven nights per month on which to bid.

One of the reasons Kaui looks forward to “playing the airport,” she said, is spotting the tourists who have seen her play around the island.

“It’s like the icing on the cake,” Kaui said, noting she enjoys recognizing visitors and remembering from where they’re visiting.

No doubt the tourists remember her, too, for her sing-a-longs and penchant for covering the staples oft’ listened to by Hawaiian-music lovers, such as “Ulupalakua,” “Hene hene ko aka, and the “Hawaiian Wedding Song.”

But Kaui is hardly just for the tourists — ask her enough and she will admit humbly that she has a local following, fans for which she keeps “early-gig hours,” from 6 p.m. to 8 p.m.

“I take the earlier set because by the later set, everyone who comes would be home asleep already,” she said. Truly devout fans make it all the way from Anahola, Princeville and Kalaheo, she added.

Regulars who came to see Kaui May 13 had an added bonus, as her show was followed by belly dancers.

Of the belly dancers, Kaui said it’s more often than not that she’s paired up with talent.

Fans come back not only for their fix of traditional Hawaiian tunes, but also her sets made up of various duos, including “Auntie Elaine,” hula talents Irene Yoshida and songwriter Lei Contrades.

Of course, her ongoing repartee with the audience doesn’t hurt either.

Her signature song, Kaui added, is the “Hawaiian War Chant,” (Kaua i Ka Huahua ‘i). “I get the audience to participate, and then they sing along and I pick my guitar at the end,” she said.

And the band played on

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Amanda C. Gregg/Contributed photoSarah Tochiki conducts the Wind Symphony at the Kaua‘i Community College spring concert.

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Despite losing their leader, Larry McIntosh, the bands played on as the Kaua‘i Community College Instrumental Wind Symphony and Jazz Ensemble put on part one of their spring concert May 7.

Part two of the concert series, featuring the orchestra, was May 14.

McIntosh, founder of the KCC instrumental-music program in 1985 and the only community ensembles for Kaua‘i musicians, died of cancer April 15.

This year’s concert series was dedicated to his memory and helped serve to honor that memory with the futures of others in mind: donations from the event help fund the Larry L. McIntosh Scholarship Association. The nonprofit was created to pay for graduating high-school seniors on Kaua‘i to further their interest and study of music.

Playing with the excitement of a big band, the Jazz Ensemble played high-energy throwbacks to swing, channeling the verve of Glen Miller or the likes of Count Basie.

Soloists took the stage in each piece, receiving laudable applause from the audience for their talents. Had there been a dance floor, people would have been dancing.

Similarly, the Wind Symphony brought a high level of execution and passion to their classical and jazz pieces, including an encore of what Director Karen Kirchner described as a “Salute to Bob Hope,” five pieces woven together into a medley McIntosh had chosen back in January.

The “salute” included the signature song “Thanks for the Memories,” as well as “The Road to Morocco,” “Moonlight Becomes You,” “Buttons and Bows,” and “Two Sleepy People,” arranged by Warren Barker.

Taking of the helm of the Jazz Ensemble was Barry Toy, trumpeter; the Wind Symphony was led by Kirchner and Director Sarah Tochiki.

Referring to what it was like to be among those to step into the director’s spotlight, Tochiki said it was “a little intimidating but an honor,” adding, “no one will be able to replace McIntosh.”

Though the event could have been somber in tone, it was joyous in spirit. And while obviously a director has much to do with how the ensemble performs, it seemed the encouragement of the former leader was in the ambient air.

Kirchner said that McIntosh was always encouraging and “could pull a little more out of you.”

Kirchner also said the concert was somewhat emotional, as “we were conducting the pieces (McIntosh) had chosen.”

That said, percussionist Scott Hartman said that the Jazz Ensemble “played extra well” on this evening, in which they played the pieces they had been rehearsing with McIntosh.

Each ensemble was far more polished than the practice time that getting together once a week for credit at KCC would seem to allow. But as Hartman explained, the performers “do their homework,” practicing on their own and practicing together where the director adds nuances, “play(ing) the band like an instrument.”

Looking ahead, Tochiki said it is key for the community to continue to support music by attending high-school and middle-school performances, adding that it is her hope that these students will someday be in the KCC ensembles. Some already are, she added, as part of the Running Start program for which they earn college credit.

For others who just want to continue playing and can read music and are willing to work hard, the course is $25, once a week in the evening at KCC, she said.

See www.kccmusic.org for more information.

Ikaika exhibition opens strong at Po‘ipu’s Gallerie 103

Amanda C. Gregg - Special to The Garden Island | Posted: Sunday, May 9, 2010 12:44 pm |

Amanda C. Gregg/Contributed photoGallerie 103 Owner Bruna Stude and featured artist Mac James in front of James’ art works.

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Ikaika (To Be Strong)

Paintings and Sculpture

by Mac James

Gallerie 103, Kukui‘Ula Village Mall, Po‘ipu

Now to June 12


True stories told through art was a common thread at Thursday-night’s opening reception at Gallerie 103 of “Ikaika” (To Be Strong), an exhibit by Anahola artist Mac James.

Art patrons were greeted with a suspended sculpture of a toothy shark with a seemingly-chesire grin, colored by the red dirt of Kaua’i and an ambiance that was as close to a New York City art opening as one can find on Kaua‘i.

As the guests mingled sipping wine and examining the artist’s work, some petting the shark, they were called to formally begin the evening with a blessing by kumu Sabra Kauka. The artist then shared his thoughts on this exhibition and his history of work and took questions from the audience.

Like most of the artists in attendance, James’ work does owe something to the island on which he now resides, but sharks have been his subject matter for over 25 years. He began painting them swimming over Manhattan and has been expanding on the subject matter ever since. Currently he says his work “examines issues beneath the surface.”

Besides James other local artists whose work hangs in Gallerie 103 were in attendance and more than happy to share their thoughts on their work.

Chicago resident Karyn Kozak remarked that the quality of the art and the exhibition was as good as anything you would find in Chicago or New York. It’s quite a compliment for a studio operating on quiet, rural Kaua‘i.

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